{"id":5,"date":"2009-04-07T11:32:46","date_gmt":"2009-04-07T09:32:46","guid":{"rendered":"http:\/\/legueult.com\/?page_id=5"},"modified":"2020-01-21T10:30:18","modified_gmt":"2020-01-21T08:30:18","slug":"bibliographie","status":"publish","type":"page","link":"https:\/\/legueult.com\/?page_id=5","title":{"rendered":"Bibliographie"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ use_background_color_gradient=\u00a0\u00bbon\u00a0\u00bb background_color_gradient_start=\u00a0\u00bb#ffffff\u00a0\u00bb background_color_gradient_end=\u00a0\u00bbrgba(41,196,169,0)\u00a0\u00bb background_color_gradient_direction=\u00a0\u00bb90deg\u00a0\u00bb background_color_gradient_start_position=\u00a0\u00bb50%\u00a0\u00bb background_color_gradient_end_position=\u00a0\u00bb0%\u00a0\u00bb background_color_gradient_overlays_image=\u00a0\u00bbon\u00a0\u00bb custom_padding=\u00a0\u00bb126px|0|0|0px|false|false\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb0px|0px|0px|0px|false|false\u00a0\u00bb column_structure=\u00a0\u00bb1_2,1_2″][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb120px|||\u00a0\u00bb custom_padding_phone=\u00a0\u00bb0px||\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb padding_phone=\u00a0\u00bb0px||\u00a0\u00bb padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.27.4″ text_font=\u00a0\u00bbNunito Sans||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#5499D4″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb header_font=\u00a0\u00bbNunito Sans|300|||||||\u00a0\u00bb header_text_color=\u00a0\u00bb#4f4f4f\u00a0\u00bb header_font_size=\u00a0\u00bb50px\u00a0\u00bb header_line_height=\u00a0\u00bb1.3em\u00a0\u00bb custom_margin=\u00a0\u00bb0px||\u00a0\u00bb custom_padding=\u00a0\u00bb0px||\u00a0\u00bb]<\/p>\n

Bibliographie<\/strong><\/h1>\n

[\/et_pb_text][et_pb_divider color=\u00a0\u00bb#e09900″ _builder_version=\u00a0\u00bb3.17.6″ max_width=\u00a0\u00bb21%\u00a0\u00bb custom_margin=\u00a0\u00bb0px|||\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb3.27.4″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#777777″ text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb header_font=\u00a0\u00bbNunito Sans|700|||||||\u00a0\u00bb header_text_color=\u00a0\u00bb#297FCA\u00a0\u00bb custom_margin=\u00a0\u00bb0px|||\u00a0\u00bb custom_padding=\u00a0\u00bb|60px||\u00a0\u00bb]<\/p>\n

Toutes les r\u00e9f\u00e9rences \u00e0 l’artiste.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/legueult.com\/wp-content\/uploads\/2019\/05\/img-holder-2.png\u00a0\u00bb align_tablet=\u00a0\u00bbcenter\u00a0\u00bb align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb3.23″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ custom_padding=\u00a0\u00bb0|0px|0|0px|false|false\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb71px|0px|0|0px|false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.27.4″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#4f4f4f\u00a0\u00bb text_font_size=\u00a0\u00bb15px\u00a0\u00bb header_font=\u00a0\u00bbNunito Sans|700|||||||\u00a0\u00bb header_text_color=\u00a0\u00bb#4f4f4f\u00a0\u00bb header_font_size=\u00a0\u00bb28px\u00a0\u00bb]<\/p>\n

Monographies<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb3.25″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb _builder_version=\u00a0\u00bb3.27.4″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#777777″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb]\u2022<\/span><\/strong> <\/span>Raymond Legueult<\/strong>,
\nUn soup\u00e7on d\u2019h\u00e9donisme dans la vall\u00e9e, textes de Jean-Jacques Fernier et de Chantal Humbert,
\n\u00c9dit\u00e9 par le Mus\u00e9e-Maison Natale Gustave Courbet,
\n1998.<\/p>\n

\u2022<\/span><\/strong> <\/span>\u00ab\u00a0Raymond LEGUEULT, dessins d’un chef d’atelier<\/strong>\u00ab\u00a0,
\nENSBA,
\n1989.<\/p>\n

\u2022<\/span><\/strong><\/span>\u00a0Hommage \u00e0 Legueult<\/strong>,
Textes de Luc Vezin et Georges Hilaire,
Menton, Palais de l\u2019Europe,
1985.<\/p>\n

\u2022<\/strong><\/span> Marcel Zahar, Legueult<\/strong>,
Flammarion,
1961.<\/p>\n

\u2022<\/strong><\/span> Ren\u00e9-Jean, Raymond Legueult, collection Les Ma\u00eetres de demain, IV<\/strong>,
Collection dirig\u00e9e par Francis Carco,
Sequana \u00e9diteur,
1943.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ custom_padding=\u00a0\u00bb0|0px|0|0px|false|false\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb40px|0px|0|0px|false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.27.4″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#4f4f4f\u00a0\u00bb text_font_size=\u00a0\u00bb15px\u00a0\u00bb header_font=\u00a0\u00bbNunito Sans|700|||||||\u00a0\u00bb header_text_color=\u00a0\u00bb#4f4f4f\u00a0\u00bb header_font_size=\u00a0\u00bb28px\u00a0\u00bb]<\/p>\n

Autres ouvrages<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb3.25″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb _builder_version=\u00a0\u00bb3.27.4″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb]\u2022<\/span><\/strong> <\/span>\u00a0\u00bb Hommage \u00e0 Brianchon, Legueult, Oudot\u00a0<\/strong>\u00ab\u00a0,
\nGalerie Jaubert,
\n1975.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span>Louis Goldaine et Pierre Astier: \u00a0\u00bb Ces peintres vous parlent \u00ab\u00a0<\/strong>,
\u00e9ditions L’\u0153il du temps,
1964.<\/p>\n

\u2022<\/span><\/strong> <\/span>\u00a0\u00bb Les cahiers de l’Acad\u00e9mie de l’Art de Vivre<\/strong>\u00ab\u00a0,
1963.<\/p>\n

\u2022<\/span><\/strong> <\/span>Raymond Nacenta, \u00a0\u00bb Ecole de Paris 1956″<\/strong> ,
Art et Style n\u00b041,\u00a0
page int\u00e9rieure reproduction \u00a0\u00bb Femmes au bord de la mer\u00a0\u00bb.<\/span><\/p>\n

 [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ custom_padding=\u00a0\u00bb0|0px|0|0px|false|false\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb40px|0px|0|0px|false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.27.4″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#4f4f4f\u00a0\u00bb text_font_size=\u00a0\u00bb15px\u00a0\u00bb header_font=\u00a0\u00bbNunito Sans|700|||||||\u00a0\u00bb header_text_color=\u00a0\u00bb#4f4f4f\u00a0\u00bb header_font_size=\u00a0\u00bb28px\u00a0\u00bb]<\/p>\n

Articles de revue ou de presse<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb3.25″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb _builder_version=\u00a0\u00bb3.27.4″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb]\u2022<\/span><\/strong> <\/span>Luc Vezin ,\u00a0\u00bbLegueult. Touches de raffinement et d’h\u00e9donisme\u00a0\u00bb<\/strong>,<\/span>
\nin Beaux-Arts n\u00b0172, septembre 1998, page 33.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span>\u00a0\u00bb Legueult: uppercut \u00e0 Menton\u00a0\u00bb<\/strong>,
\nin Impact M\u00e9decin Le Praticien, n\u00b0140, 1985, page 11.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Guy Mornet, \u00ab\u00a0Raymond Legueult, un peintre, un po\u00e8te\u00a0\u00bb <\/strong>
\nin T\u00e9l\u00e9communications, n\u00b030, janvier 1979, pp 38-42.
\n<\/em><\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Ren\u00e9 Barotte, \u00ab La F\u00e9erie de Legueult \u00bb<\/em><\/strong>,
\nin Terre d\u2019Europe, n\u00b048, mai 1974, pp. 19-28.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Georges Hilaire, \u00ab La r\u00e9alit\u00e9 po\u00e9tique de Legueult \u00bb<\/em><\/strong>, in Valeurs actuelles 14, mai 1973.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Claude Roger-Marx, \u00ab Subtil et sans pr\u00e9ciosit\u00e9 : Raymond Legueult \u00bb<\/em><\/strong>
\nin Le Figaro, 3 avril 1973.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Georges Hilaire, \u00ab Comment\u00a0 Legueult a fait avancer la peinture \u00bb<\/em><\/strong>,
\nin la Vitrine des Arts, avril 1973, pp. 105-109, Le Spectacle du Monde, pp. 105-109.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> L\u00e9one de la Grandville, \u00ab Hommage posthume \u00e0 Raymond Legueult \u00bb<\/em><\/strong>,
\n in Plaisir de France, n\u00b0408, avril 1973, p. 53.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Raymond Charmet, \u00ab Legueult, la fluctuante perfection \u00bb<\/em><\/strong>, in La Galerie, n\u00b0126, avril 1973, p. 34<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Marcel Zahar, \u00ab Raymond Legueult \u00bb<\/strong>,
\nin Le Peintre, n\u00b0429, 15 septembre 1971, p. 4.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span>Georges Hilaire ,\u00a0\u00bbLes formes musicales de Raymond Legueult\u00a0\u00bb<\/strong>,
\nin Le Spectacle du Monde, novembre 1968.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Raymond Cogniat, \u00ab Legueult : Poudre et lumi\u00e8re, pastel et feu d\u2019artifice \u00bb<\/em><\/strong>
\nin La Galerie des arts, n\u00b026, juin 1965, pp. 5-8.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Marcel Zahar, \u00ab Legueult, un peintre \u00e9clatant qui travaille dans l\u2019ombre \u00bb<\/em><\/strong>,
\nin Connaissances des Arts, n\u00b0110, avril 1961, pp. 58-63.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Gis\u00e8le d\u2019Assailly, \u00ab Mes amis les peintres de la R\u00e9alit\u00e9 Po\u00e9tique \u00bb<\/em><\/strong>,
\nin Prisme des Arts, n\u00b07, p. 13 .<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span>Georges Hilaire, \u00ab\u00a0A propos de l’Ecole de Paris\u00a0\u00bb<\/strong>
\nin L’information Artistique, 1959, pp. 19-20.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span>Henry Asselin, \u00ab Visites d’ateliers \u00e0 Paris, Legueult ou les couleurs de la vie \u00bb <\/em><\/strong>
\nin La Tribune de Lausanne 13 mars 1955, et Nouvelle Gazette de Bruxelles, 3 juillet 1955.
\n<\/em><\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Corsaint-Dorvyne, \u00ab Painters at work Legueult \u00bb<\/em><\/strong>\u00a0
\nin Daily Mail, 6 novembre 1950.
\n<\/em><\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Barnett D. Conlan, \u00ab Raymond Legueult: maker of subtle colour chords \u00bb<\/em><\/strong>\u00a0
\nin Daily Mail, 31 juillet 1950.
\n<\/em><\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Pierre du Colombier, \u00ab Raymond Legueult \u00bb<\/em><\/strong>,
\nin La Revue fran\u00e7aise, n\u00b012, octobre 1948, pp. 40-44.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Jean-Louis Vaudoyer, \u00ab Raymond Legueult ou les noces de la couleur et de la lumi\u00e8re \u00bb<\/em><\/strong>,
\nin Plaisir de France, novembre 1947, pp. 24-25.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Pierre Gu\u00e9guen, \u00ab Legueult ou l\u2019ivresse des couleurs \u00bb<\/em><\/strong>,
\nin Formes et couleurs, n\u00b06 , 1943, pp. 84-92<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Maximilien Gauthier, \u00ab Legueult, laur\u00e9at du Grand Prix de la Peinture \u00bb<\/em><\/strong>,
\nin Revue de l\u2019art vivant, n\u00b0174, juillet 1933.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span>Pierre du Colombier<\/strong>,
\nArt et D\u00e9coration, juillet 1927, page 29.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span>L’Art et les Artistes<\/strong>,
\nn\u00b050, octobre 1924, pp 21-27.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span>Le Crapouillot<\/strong>,
\n16 avril 1922, pp 13-14.<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ custom_padding=\u00a0\u00bb0|0px|50px|0px|false|false\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb40px|0px|0|0px|false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.27.4″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#4f4f4f\u00a0\u00bb text_font_size=\u00a0\u00bb15px\u00a0\u00bb header_font=\u00a0\u00bbNunito Sans|700|||||||\u00a0\u00bb header_text_color=\u00a0\u00bb#4f4f4f\u00a0\u00bb header_font_size=\u00a0\u00bb28px\u00a0\u00bb]<\/p>\n

La R\u00e9alit\u00e9 po\u00e9tique<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb3.25″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb _builder_version=\u00a0\u00bb3.27.4″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb]<\/p>\n

\u2022<\/span><\/strong> <\/span>\u00a0\u00bb Les Peintres de la R\u00e9alit\u00e9 Po\u00e9tique\u00a0<\/strong>\u00ab\u00a0
Pr\u00e9face de Luce Barlangue
\u00c9ditions Grand Sud
2011.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Les Peintres de la R\u00e9alit\u00e9 po\u00e9tique<\/strong>
par Fran\u00e7ois Daulte
Palais des expositions \u00e0 Gen\u00e8ve
30 avril-29 mai 1994
\u00c9ditions la Biblioth\u00e8que des arts.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span> Les Peintres de la R\u00e9alit\u00e9 po\u00e9tique<\/strong>
La Tour de Peilz
6 juillet-30 septembre 1957.<\/span><\/p>\n

\u2022<\/span><\/strong> <\/span>Gis\u00e8le d’Assailly, \u00ab\u00a0Avec les Peintres de la R\u00e9alit\u00e9 Po\u00e9tique\u00a0\u00bb<\/strong>
Pr\u00e9face de Claude-Roger Marx
\u00c9ditions Julliar
1949.<\/span><\/p>\n

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BibliographieToutes les r\u00e9f\u00e9rences \u00e0 l’artiste.Monographies\u2022 Raymond Legueult, Un soup\u00e7on d\u2019h\u00e9donisme dans la vall\u00e9e, textes de Jean-Jacques Fernier et de Chantal Humbert, \u00c9dit\u00e9 par le Mus\u00e9e-Maison Natale Gustave Courbet, 1998. \u2022 \u00ab\u00a0Raymond LEGUEULT, dessins d’un chef d’atelier\u00a0\u00bb, ENSBA, 1989. \u2022\u00a0Hommage \u00e0 Legueult, Textes de Luc Vezin et Georges Hilaire, Menton, Palais de l\u2019Europe, 1985. \u2022 Marcel […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"Monographies :<\/strong>\r\n\r\n\u2022<\/span><\/strong> <\/span>Raymond Legueult, un soup\u00e7on d\u2019h\u00e9donisme dans la vall\u00e9e, textes de Jean-Jacques Fernier et de Chantal Humbert, \u00e9dit\u00e9 par le Mus\u00e9e-Maison Natale Gustave Courbet, 1998.\r\n\r\n\u2022<\/span><\/strong> <\/span>\"Raymond LEGUEULT, dessins d'un chef d'atelier\",\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ENSBA, 1989.\r\n\r\n\u2022<\/span><\/strong><\/span>\u00a0Hommage \u00e0 Legueult, textes de Luc Vezin et Georges Hilaire, Menton, Palais de l\u2019Europe, 1985.\r\n\r\n\u2022<\/strong><\/span> Marcel Zahar, Legueult, Flammarion, 1961\r\n\r\n\u2022<\/strong><\/span> Ren\u00e9-Jean, Raymond Legueult, collection Les Ma\u00eetres de demain, IV, collection dirig\u00e9e par Francis Carco, Sequana \u00e9diteur, 1943.\r\n\r\nAutres ouvrages :<\/strong>\r\n\r\n\u2022<\/span><\/strong> <\/span>\" Hommage \u00e0 Brianchon, Legueult, Oudot\", Galerie Jaubert, 1975.\r\n\r\n\u2022<\/span><\/strong> <\/span>Louis Goldaine et Pierre Astier: \" Ces peintres vous parlent\", \u00e9ditions L'\u0153il du temps, 1964.\r\n\r\n\u2022<\/span><\/strong> <\/span>\" Les cahiers de l'Acad\u00e9mie de l'Art de Vivre\", 1963.\r\n\r\n\u2022<\/span><\/strong> <\/span>Raymond Nacenta, \" Ecole de Paris 1956\" , Art et Style n\u00b041,\u00a0 page int\u00e9rieure reproduction \" Femmes au bord de la mer\".\r\n\r\nArticles de revue ou de presse :<\/strong>\r\n\r\n\u2022<\/span><\/strong> <\/span>Luc Vezin ,\"Legueult. Touches de raffinement et d'h\u00e9donisme\", in Beaux-Arts n\u00b0172, septembre 1998, page 33.\r\n\r\n\u2022<\/span><\/strong> <\/span>\" Legueult: uppercut \u00e0 Menton\", in Impact M\u00e9decin Le Praticien, n\u00b0140, 1985, page 11.\r\n\r\n\u2022<\/span><\/strong><\/span> Guy Mornet, \"Raymond Legueult, un peintre, un po\u00e8te\" in T\u00e9l\u00e9communications, n\u00b030, janvier 1979, pp 38-42.\r\n<\/em>\r\n\r\n\u2022<\/span><\/strong><\/span> Ren\u00e9 Barotte, \u00ab La F\u00e9erie de Legueult \u00bb<\/em>, in Terre d\u2019Europe, n\u00b048, mai 1974, pp. 19-28.\r\n\r\n\u2022<\/span><\/strong><\/span> Georges Hilaire, \u00ab La r\u00e9alit\u00e9 po\u00e9tique de Legueult \u00bb<\/em>, in Valeurs actuelles 14, mai 1973.\r\n\r\n\u2022<\/span><\/strong><\/span> Claude Roger-Marx, \u00ab Subtil et sans pr\u00e9ciosit\u00e9 : Raymond Legueult \u00bb<\/em> in Le Figaro, 3 avril 1973.\r\n\r\n\u2022<\/span><\/strong><\/span> Georges Hilaire, \u00ab Comment\u00a0 Legueult a fait avancer la peinture \u00bb<\/em>, in la Vitrine des Arts, avril 1973, pp. 105-109, Le Spectacle du Monde, pp. 105-109.\r\n\r\n\u2022<\/span><\/strong><\/span> L\u00e9one de la Grandville, \u00ab Hommage posthume \u00e0 Raymond Legueult \u00bb<\/em>, in Plaisir de France, n\u00b0408, avril 1973, p. 53.\r\n\r\n\u2022<\/span><\/strong><\/span> Raymond Charmet, \u00ab Legueult, la fluctuante perfection \u00bb<\/em>, in La Galerie, n\u00b0126, avril 1973, p. 34\r\n\r\n\u2022<\/span><\/strong><\/span> Marcel Zahar, \u00ab Raymond Legueult \u00bb, in Le Peintre, n\u00b0429, 15 septembre 1971, p. 4.\r\n\r\n\u2022<\/span><\/strong> <\/span>Georges Hilaire ,\"Les formes musicales de Raymond Legueult\", in Le Spectacle du Monde, novembre 1968.\r\n\r\n\u2022<\/span><\/strong><\/span> Raymond Cogniat, \u00ab Legueult : Poudre et lumi\u00e8re, pastel et feu d\u2019artifice \u00bb<\/em> in La Galerie des arts, n\u00b026, juin 1965, pp. 5-8.\r\n\r\n\u2022<\/span><\/strong><\/span> Marcel Zahar, \u00ab Legueult, un peintre \u00e9clatant qui travaille dans l\u2019ombre \u00bb<\/em>, in Connaissances des Arts, n\u00b0110, avril 1961, pp. 58-63.\r\n\r\n\u2022<\/span><\/strong><\/span> Gis\u00e8le d\u2019Assailly, \u00ab Mes amis les peintres de la R\u00e9alit\u00e9 Po\u00e9tique \u00bb<\/em>, in Prisme des Arts, n\u00b07, p. 13 .\r\n\r\n\u2022<\/span><\/strong> <\/span>Georges Hilaire, \"A propos de l'Ecole de Paris\" in L'information Artistique, 1959, pp. 19-20.\r\n\r\n\u2022 <\/span><\/strong><\/span>Henry Asselin, \u00ab Visites d'ateliers \u00e0 Paris, Legueult ou les couleurs de la vie \u00bb <\/em>in\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La Tribune de Lausanne 13 mars 1955, et Nouvelle Gazette de Bruxelles, 3 juillet 1955.\r\n<\/em>\r\n\r\n\u2022<\/span><\/strong><\/span> Corsaint-Dorvyne, \u00ab Painters at work Legueult \u00bb<\/em>\u00a0 in Daily Mail, 6 novembre 1950.\r\n<\/em>\r\n\r\n\u2022<\/span><\/strong><\/span> Barnett D. Conlan, \u00ab Raymond Legueult: maker of subtle colour chords \u00bb<\/em>\u00a0 in Daily Mail, 31 juillet 1950.\r\n<\/em>\r\n\r\n\u2022<\/span><\/strong><\/span> Pierre du Colombier, \u00ab Raymond Legueult \u00bb<\/em>, in La Revue fran\u00e7aise, n\u00b012, octobre 1948, pp. 40-44.\r\n\r\n\u2022<\/span><\/strong><\/span> Jean-Louis Vaudoyer, \u00ab Raymond Legueult ou les noces de la couleur et de la lumi\u00e8re \u00bb<\/em>, in Plaisir de France, novembre 1947, pp. 24-25.\r\n\r\n\u2022<\/span><\/strong><\/span> Pierre Gu\u00e9guen, \u00ab Legueult ou l\u2019ivresse des couleurs \u00bb<\/em>, in Formes et couleurs, n\u00b06 , 1943, pp. 84-92\r\n\r\n\u2022<\/span><\/strong><\/span> Maximilien Gauthier, \u00ab Legueult, laur\u00e9at du Grand Prix de la Peinture \u00bb<\/em>, in Revue de l\u2019art vivant, n\u00b0174, juillet 1933.\r\n\r\n\u2022<\/span><\/strong> <\/span>\"Pierre du Colombier, Art et D\u00e9coration, juillet 1927, page 29.\r\n\r\n\u2022<\/span><\/strong> <\/span>L'Art et les Artistes, n\u00b050, octobre 1924, pp 21-27.\r\n\r\n\u2022<\/span><\/strong> <\/span>Le Crapouillot, 16 avril 1922, pp 13-14.\r\n\r\n \r\n\r\nLa R\u00e9alit\u00e9 po\u00e9tique :<\/strong>\r\n\r\n\u2022<\/span><\/strong> <\/span>\" les Peintres de la R\u00e9alit\u00e9 Po\u00e9tique\", pr\u00e9face de Luce Barlangue, \u00e9ditions Grand Sud, 2011.\r\n\r\n\u2022<\/span><\/strong><\/span> Les Peintres de la R\u00e9alit\u00e9 po\u00e9tique, par Fran\u00e7ois Daulte, Palais des expositions \u00e0 Gen\u00e8ve, 30 avril-29 mai 1994, \u00e9ditions la Biblioth\u00e8que des arts.\r\n\r\n\u2022<\/span><\/strong><\/span> Les Peintres de la R\u00e9alit\u00e9 po\u00e9tique, La Tour de Peilz, 6 juillet-30 septembre 1957.\r\n\r\n\u2022<\/span><\/strong> <\/span>Gis\u00e8le d'Assailly, \"Avec les Peintres de la R\u00e9alit\u00e9 Po\u00e9tique\", pr\u00e9face de Claude-Roger Marx, \u00e9ditions Julliard, 1949.\r\n

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